Jumat, 31 Mei 2013

Ebook Download Girl in Black and White: The Story of Mary Mildred Williams and the Abolition Movement

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Girl in Black and White: The Story of Mary Mildred Williams and the Abolition Movement

Girl in Black and White: The Story of Mary Mildred Williams and the Abolition Movement


Girl in Black and White: The Story of Mary Mildred Williams and the Abolition Movement


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Girl in Black and White: The Story of Mary Mildred Williams and the Abolition Movement

Review

“Captivating... A powerful salute to the memory of Mary Williams, antebellum America's demure symbol of human freedom. Highly recommended.” - Library Journal (starred review)“Morgan-Owens has located a fascinating story and tells it with verve, adding a new dimension to the much-studied struggle against slavery in America.” - Publishers Weekly“A valuable contribution to abolitionist history.” - Kirkus Reviews“In a tour de force of historical recovery, Girl in Black and White combines a compelling, meticulously researched biography of the slave child abolitionists adored (and exploited) with a fascinating history of photography and visual culture. At the same time, Morgan-Owens’s careful inquiry into the complexities of so-called white slavery provides a disturbing look at the limits of social sympathy that relies on similarity. This beautifully written book challenges sentimental notions of national progress and offers new ways to patch together the true story of America’s racial past.” - Carla Kaplan, author of Miss Anne in Harlem: The White Women of the Black Renaissance“Girl in Black and White tells a mesmerizing story made vivid by the author’s keen eye for detail. This is a riveting story of an individual’s life, an important biography of an era, and a phenomenal contribution to discussions about the meaning of race in America.” - Emily Bernard, author of Black Is the Body and editor of Remember Me to Harlem

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About the Author

Jessie Morgan-Owens is the dean of studies at Bard Early College in New Orleans, Louisiana. A photographer with the team Morgan & Owens, she received her doctorate from New York University and lives in New Orleans with her family.

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Product details

Hardcover: 272 pages

Publisher: W. W. Norton & Company; 1 edition (March 12, 2019)

Language: English

ISBN-10: 0393609243

ISBN-13: 978-0393609240

Product Dimensions:

6.5 x 1.2 x 9.6 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#143,696 in Books (See Top 100 in Books)

This book is very similar to two other recently released books, Frederick Douglass: Prophet of Freedom by David W. Blight, and Code Name: Lise: the True Story of the Woman Who Became WWII's Most Highly Decorated Spy by Larry Loftis. All of them are extensively researched and, therefore, do not read as smoothly a novel. However, if read slowly and intentionally, they provide provide fascinating information.In the cases of Frederick Douglass and The Girl in Black in White, it is uncanny that biased people (to put it kindly) from the nineteenth century have their counterparts in the twenty-first century. I was glad to have read the Douglass biography before The Girl in Black and White because it enabled me to better understand the quotes and references to him.Initially, I was drawn to this book because my great-grandfather, another Virginian, passed for white. When I first discovered the Mu, for mulatto, on my family's page in the 1880 census, after my surprise, my second reaction was how much non-consensual sex this represented. Jessie Morgan-Owens does a thorough job of putting faces and names to those kinds of victims (and perpetrators) in the family of Mary Mildred Williams.She also does a good job of revealing the subtle and not-so-subtle attitudes of racism and classism, not just among slave owners including those who exploited their own children, but also among the abolitionists who weren't quite as noble as they appeared. Among Jessie Morgan-Owens' extensive research are references including those two n-words that we no longer use: the ones which rhyme with diggers and happy.I'm sure I'm not alone as a white American who wants to hold my hands over my ears and chant, "La La La," to avoid learning painful details about the immeasurable human rights violations that took place in my own country. However, because the attitudes of so many people have not changed over the centuries (for crying-out-loud), the playing field is still not level, and violations are occurring on a regular and sadly, institutional basis. I admire the decision of Jessie Morgan-Owens to devote 25% of her book's proceeds to "organizations that serve communities of color, and those that work toward liberation in our present moment." I hope she makes a difference through both the information in this book, and her charity.So, I recommend this very well-researched book not only as an interesting story, but as insight into nineteenth century attitudes that are still alive today.

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Minggu, 26 Mei 2013

Get Free Ebook Life of the Party: Poems, by Olivia Gatwood

Get Free Ebook Life of the Party: Poems, by Olivia Gatwood

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Life of the Party: Poems, by Olivia Gatwood

Life of the Party: Poems, by Olivia Gatwood


Life of the Party: Poems, by Olivia Gatwood


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Life of the Party: Poems, by Olivia Gatwood

About the Author

Olivia Gatwood has received national recognition for her poetry, writing workshops, and work as an educator in sexual assault prevention and recovery. She is the author of the poetry chapbook New American Best Friend, and her poems have appeared in such publications as Muzzle magazine, Winter Tangerine, Poetry City, Tinderbox Poetry Journal, and The Missouri Review. As a finalist at Brave New Voices, Women of the World Poetry Slam, and the National Poetry Slam, Gatwood has been featured on HBO, HuffPost, MTV, VH1, and the BBC, among others. She is a full-time touring artist, and has performed at more than two hundred schools and universities worldwide.

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Product details

Paperback: 176 pages

Publisher: Dial Press Trade Paperback (August 20, 2019)

Language: English

ISBN-10: 1984801902

ISBN-13: 978-1984801906

Product Dimensions:

5.5 x 0.4 x 8.2 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#195,672 in Books (See Top 100 in Books)

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Kamis, 16 Mei 2013

Download Status Anxiety

Download Status Anxiety

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Status Anxiety

Status Anxiety


Status Anxiety


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Status Anxiety

Review

“His richest, funniest, most heartfelt work yet, packed with erudition and brimming with an elegant originality of mind. . . . An informative joy to read.” —The Seattle Times “A smart and amusing inquiry. . . . Thick with social history and as funny as [it is] acute.” — The Boston Globe“A typically de Bottonesque romp. . . . Full of great. . . literary and philosophical references.” —The Christian Science Monitor“His insights float on a kind light irony. . . like pixilated Barthes. . . . The pleasures of his prose come from following the play of his mind, the vast erudition, the succinct paraphrases, and vivid, often lyrical physical descriptions.” — Boston Phoenix

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From the Inside Flap

Anyone who's ever lost sleep over an unreturned phone call or the neighbor's Lexus had better read Alain de Botton's irresistibly clear-headed new book, immediately. For in its pages, a master explicator of our civilization and its discontents turns his attention to the insatiable quest for status, a quest that has less to do with material comfort than with love. To demonstrate his thesis, de Botton ranges through Western history and thought from St. Augustine to Andrew Carnegie and Machiavelli to Anthony Robbins. Whether it's assessing the class-consciousness of Christianity or the convulsions of consumer capitalism, dueling or home-furnishing, Status Anxiety is infallibly entertaining. And when it examines the virtues of informed misanthropy, art appreciation, or walking a lobster on a leash, it is not only wise but helpful.

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Product details

Paperback: 320 pages

Publisher: Vintage; Reprint edition (May 10, 2005)

Language: English

ISBN-10: 0375725350

ISBN-13: 978-0375725357

Product Dimensions:

5.2 x 0.6 x 7.9 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

107 customer reviews

Amazon Best Sellers Rank:

#90,906 in Books (See Top 100 in Books)

Love Alain de Bottom. Recommend all his books. This one is de Bottom's meditation on status, and why we are all consumed by what we 'do" and how ultimately this obsession has a deleterious effect on our mental health. He analyses different realms in society (art, philosophy, bohemia) that influence the modern person's interest in his or her status in society, and helps the reader see that the idea of status as good and easily attainable (with hard work and bursts of inspiration) is a historical construct not a naturally existing 'thing' which exists independently of us and which we did not have a hand in shaping (eg: in caveman times, we were not concerned with status in the same way). In other words, status anxiety is not inevitable but is rather the product of social forces.

De Botton is clearly a talented writer and philosopher but in this book he fails to capture my attention. This book read like something a sociology professor would assign to his students, there was so much to unpack that at times it felt like very little was really being said even though the language was very colorful. He seems like someone who understands a lot about different philosophical and sociological themes and theories but the real world application eludes him. Towards the end the entire section devoted to the Boheme way of life felt extremely out of touch. Does not provide unique solutions to the issue of status anxiety, but if you would like to practice SAT level vocabulary comprehension, this is a good book for it. This doesn't really qualify as self-help although it is being billed this way, so from a practical standpoint if that's what you're looking for, this is not the book for you.

I wish I had discovered Alain de Botton sooner, but better late than never. His erudition is remarkable, his perception is acute, and his writing is marvelously phenomenologically rich yet lucid. Best of all, in this book he tackles a fundamentally important topic, namely our need for social status and our anxiety over our status falling short.This is a book which must be read attentively in its entirety, and I indeed found it hard to put down, but perhaps I can still highlight some key points to give a feel for the subject matter:- Because we judge ourselves according to how others judge us, one of our basic needs is the love of the world. This is despite the fact that the judgments of others are frequently shallow and misguided, and the criteria for judgment have varied across cultures and history.- We take our social status as an indicator of how much we're loved, or can expect to be loved, by others.- We determine our status by comparison with a reference group of other people, not in absolute terms. That means that progress of our reference group doesn't necessarily improve our individual status, and may even diminish it.- Unlike the days when status was largely inherited, the meritocratic notion that anyone can achieve anything, and the related assumption of social mobility, gives hope to those who wish to rise in status, but it also results in self-blame when we fail. This is despite the fact that achievement is greatly influenced by factors outside our control (ie, luck).- Our self-esteem is also affected by our achievement relative to our own expectations. This implies that, if we can't achieve more, it may make sense to lower our expectations (however outlandish that may sound). Likewise, if we're inspired by the success stories of others, but we fail, those stories may worsen our self-esteem. And of course the mass media exacerbates these problems by constantly encouraging us to "aim high" and throwing rags-to-riches success stories in our faces.- The poor were once honored as an integral and productive part of society, or at least they weren't viewed negatively. This changed with the rise of meritocracy, with material wealth becoming the primary measure of merit/status, and with the poor thus being considered deserving of low status and snobbish derision. Social Darwinism took this attitude further with the view that the poor deserve to be weeded out of society.- We're often uncertain or mistaken about what will make us happy. For example, the pleasure provided by material acquisitions is usually fleeting, whereas we expected it to be sustained or even permanent. Likewise, in envisioning careers, we often make the mistake of focusing on the positives while downplaying the negatives.- We can at least partly control status anxiety by learning to become our own judges, being attentive to how art subverts prevailing status norms, seeing our fallible shared humanity through art which depicts tragedy, using comedy to underminine pretensions, remaining aware of our individual and collective mortality, focusing on collective rather than individual success, and orienting ourselves towards nonmaterialistic values which lead to richer and more balanced lives. These are generally difficult things to do, and only partly effective even in combination, but better to make the effort rather than just muddle along with the herd.I very highly recommend this book, especially to people who detect a tradeoff in their lives between seeking/maintaining status versus being generally fulfilled, and are troubled by that predicament. This book provides an elegantly multifaceted exploration of this terrain, and it's especially rewarding to readers who are themselves erudite enough to be familiar with the diverse spectrum of examples from social and intellectual history which de Botton references. As some reviewers have noted, de Botton could have expanded the book, such as by drawing more on non-Western perspectives, but it makes more sense to attend to what the book offers rather than lament about what it leaves out -- and it offers plenty.

De Bottom writes, "like Jane Austen and George Eliot, the great artists of everyday life may help us to correct many of our snobbish preconceptions regarding what there is to esteem and honor in the world ". He brings to the reader an in depth examination concerning one's values. Often we follow the lead about what we should pursue and yet fail to question whether what we pursue is an important priority. De Bottom does an excellent job with an in depth analysis of the relationship between wealth and happiness. You will discover why and in which ways status anxiety breeds envy and envy breeds greed. What we "love" tells us who we are! "Tell me what a man loves," Augustine wrote in the 4th century, "And I'll tell you what a man is". To escape the status community of Rome, he had to create, a "City of God", to find his place in it. De Botton's book, "Status Anxiety", is a modern day approach to what has become an obsession, "keeping up with the Jones". Moral confusion and materialism are two different sides of the same coin and we only learn to reorient ourselves as we mature. Maturity requires self-reflection and reading "Status Anxiety" is a fine example of what needs to be done to re-set our moral compass. Putting our wants, needs, desires, into a balanced perspective is difficult for many of us who identify what we have with "who" we are. Examining our lives means reviewing the context in which our lives take place. De Botton tells us that art's primary function is to clear human confusion. In the 1800's authors like Eliot, Austin, James, Balzac, provided characters and situations articulating what the content of status anxiety was all about. "Status Anxiety" will open your eyes in a new and enchanting way. Written with style and intelligence, this book is an easy and worthwhile read. You do not need a background in psychology, sociology, philosophy, or religion. All you need is a little time and mental space to absorb its' profound and compelling message. For example, when De Botton writes, "Standing witness to hidden lives, novels may act as conceptual counterweights to dominant hierarchical realities. They can reveal that the maid now busying herself with lunch is a creature of rare sensitivity and moral greatness, while the baron who laughs raucously and owns a silver mine has a heart both withered and acrid" (p.131 ). Here De Botton sites one of my favorite novels, Middlemarch", by George Eliot. If you enjoy fiction that is timeless, you probably will enjoy what these authors have to teach us.

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Sabtu, 04 Mei 2013

Download PDF Web-Spinning Heroics: Critical Essays on the History and Meaning of Spider-Man

Download PDF Web-Spinning Heroics: Critical Essays on the History and Meaning of Spider-Man

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Web-Spinning Heroics: Critical Essays on the History and Meaning of Spider-Man

Web-Spinning Heroics: Critical Essays on the History and Meaning of Spider-Man


Web-Spinning Heroics: Critical Essays on the History and Meaning of Spider-Man


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Web-Spinning Heroics: Critical Essays on the History and Meaning of Spider-Man

Review

"Intriguing...a must...highly recommended." --Midwest Book Review

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About the Author

Robert Moses Peaslee is an assistant professor in the College of Mass Communications at Texas Tech University. He has written for Visual Communication Quarterly, Tourist Studies,and NMEDIAC: Journal of New Media & Culture, and edited volumes related to visual culture. He lives in Lubbock, Texas. Robert G. Weiner is associate humanities librarian at Texas Tech University. His works have been published in the Journal of Popular Culture, Public Library Quarterly, Journal of American Culture, International Journal of Comic Art and Popular Music and Society. He lives in Lubbock, Texas.

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Product details

Paperback: 271 pages

Publisher: McFarland (May 22, 2012)

Language: English

ISBN-10: 0786446277

ISBN-13: 978-0786446278

Product Dimensions:

6.9 x 0.7 x 9.9 inches

Shipping Weight: 14.4 ounces

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,858,777 in Books (See Top 100 in Books)

I have to admit that Spider-Man is not my favorite when it comes to comic book heroes; Luke Cage has that place for me. However, This collection is a unique combination of both good scholarship as well as an entertaining read. The collection is divided into seven sections each dealing with a specific aspect of the Spider-Man genre, if you will.My favorite article, found in the first section, is the Lisa Holderman piece dealing with the science (physics) of Spider-Man. "Hegemonic Implications of Science in Popular Media: Science Narratives and Representations of Physics in the Spider-Man Film Trilogy" may imply a complex article, unreadable for many, however, the piece is clear, entertaining and just good.The best section of the book overall is part three entitled "The J. Jonah Jameson Problem." Three very well-written essays make up this section and cover everything from censorship (as Jameson commentary) to the business style of JJJ and "The Daily Bugle."I was also very happy to see a section dealing with gender issues. Too often comics are seen to be dominated by over-the-top male heroes. When, in reality, some of the best characters being written are found in the people who surround said heroes; often female ones.Again, a great read and a good value for the price. Anyone interested in sequential art scholarship, Spider-Man academia, or just a fan of comics will find something enjoyable in this collection.

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